Arturia Filter M12 v1.6.0 多模式怪物合成过滤器Mac [MORiA] AU,VST,VST3,AAX

音频效果器

过滤器M12多模式怪物合成过滤器，重生…传奇的模拟polysynth过滤器重新设计为DAW的超级强大的现代插件。当涉及到深度、复杂性和创造性范围时，没有什么能接近M12过滤器。过滤器M12是Oberheim®标志性Matrix-12中多模式过滤器的一个全功能再造，配备了令人惊叹的更新，使该插件成为最强大、性能最佳的声音整形工具之一。

Filter M12 The multi-mode monster synth filter, reborn... The legendary analog polysynth's filter reworked as a superbly powerful, modern plugin for your DAW. When it comes to depth, complexity, and creative scope, nothing comes close to the M12-Filter. Filter M12 is a full-featured recreation of the multi-mode filter found in Oberheim®’s iconic Matrix-12, kitted out with awesome updates that make this plugin one of the most powerful, performable sound-shaping tools around.

Combining intuitive, gorgeous-sounding modelled analog filter tone control with programmable modulation envelopes, a detailed mod matrix, and bonus random and mod osc parameters, Filter M12 is set to become your go-to choice for creative frequency control. Create anything from smooth sweeps to rhythmic motion, all the way to full-blown, randomized glitch meltdowns: this plugin can handle it all.

将直观、华丽的模拟滤波器音调控制与可编程调制包络、详细的mod矩阵以及额外的随机和mod osc参数相结合，滤波器M12将成为您进行创造性频率控制的首选。创建任何东西，从平滑的扫掠到有节奏的运动，一直到全面的随机故障崩溃：这个插件可以处理所有这些。


The most advanced,

最先进的，

This filter is now available as a re-energized creative plugin for your DAW.

这个过滤器现在可以作为DAW的一个重新激活的创意插件。

In 1984, audio and electronics legend Tom Oberheim developed a groundbreaking subtractive, analog polyphonic synthesizer; a brave move when the digital synth revolution was taking the industry by storm. Standing the test of time, his brainchild instrument is now considered a classic, and our emulated version takes pride of place in V Collection. One of the main reasons it turned heads in the 80s was its audacity, the sheer power of its signal routing options, and its multi-mode filter.

1984年，音频和电子传奇人物汤姆·奥伯海姆开发了一种开创性的减法模拟复音合成器；当数字合成革命席卷整个行业时，这是一个勇敢的举动。经过时间的考验，他的智能乐器现在被认为是经典，我们的模拟版本在V系列中占据了一席之地。它在80年代获得成功的主要原因之一是它的大胆、信号路由选项的强大以及多模滤波器。


The original synthesizer’s filter employed a single filter per voice, but provides no fewer than 15 different filter modes. This included Low Pass and three High Pass modes, two Band Pass modes, a Notch filter, and a Phase Shift mode. It also included another 4 modes, combining 1-Pole Low Pass filters with other modes. This unique selection of filter options is largely responsible for the immense power and scope of the fabled Matrix sound.

原始合成器的滤波器对每个语音使用一个滤波器，但提供不少于15种不同的滤波器模式。这包括低通和三个高通模式、两个带通模式、陷波滤波器和相移模式。它还包括另外4种模式，将单极低通滤波器与其他模式相结合。这一独特的滤波器选择在很大程度上导致了传说中的矩阵声音的巨大功率和范围。

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