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[综合效果器套装] 音频循环带有渲染和循环填充控件MAAT–Digital Bundle 2021.12STANDALONE, VST, VS...

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发表于 2021-12-11 22:20:32 | 显示全部楼层 |阅读模式 来自 中国重庆
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251-735x400.jpg
SIZE 2BC multiCORR v2.2.4
SIZE DRMer MkII v2.2.2
SIZE DROffline MkII v2.2.3
SIZE LINpro v4.1.1
SIZE MtG v2.2.4
SIZE RSPhaseShifter v2.2.4
SIZE SantaCruzEQ v2.2.0
SIZE thEQ 1.0
SIZE thEQorange v2.2.0
SIZE thEQred v1.2.0


Optimizing workflows for spoken word, audio for picture, podcast and broadcast, MtG automatically fills in gaps of any length in edited tracks. This plugin provides smooth audio looping with controls for rendering and looping fills, as well as gain controls to easily integrate looped audio into your footage.

MtG优化口语、图片音频、播客和广播的工作流程,自动填补编辑曲目中任意长度的空白。该插件提供平滑的音频循环,带有渲染和循环填充控件,以及增益控件,可以轻松地将循环音频集成到您的视频中。

Use MtG to speed up your musical ambiance, foley, and of course radio and television audio; wherever continuous repetitive audio is required. A cross-platform plug-in, MtG works in your favorite DAW at any sample rate you need. For radio, TV and podcasting use 44.1 or 48k. For gaming audio, cinematic production, or where clarity and resolution are paramount, MtG handles up to 384 kHz with ease.

使用MtG加速你的音乐氛围,福利,当然还有广播和电视音频;需要连续重复音频的地方。作为一个跨平台插件,MtG可以在您喜欢的DAW中以您需要的任何采样率工作。对于广播、电视和播客,使用44.1或48k。对于游戏音频、电影制作或清晰度和分辨率至关重要的地方,MtG可轻松处理高达384 kHz的音频。

Not all DAWs behave the same, and MtG knows it. It includes precautions to let you know if your DAW isn’t ready to work well with MtG, reducing errors and frustration. MtG also includes zoom controls to quickly identify any inaudible and objectionable material that you might want to remove from your loupe.

并非所有DAW的行为都相同,MtG知道这一点。它包括一些预防措施,让您知道您的DAW是否还没有准备好与MtG一起很好地工作,从而减少错误和挫折感。MtG还包括缩放控件,可快速识别任何您可能希望从loupe中删除的听不见和令人反感的材料。



MAAT – RSPhaseShifter

MAAT–相移器



Analog Soul, Digital Heart. The only official digital implementation of the pure analog hardware for the W2324 phaser from Roger Schult / German Audio Lab.

模拟灵魂,数字心脏。Roger Schult/德国音频实验室为W2324移相器提供的唯一官方纯模拟硬件数字实现。

The plugin provides a quick, convenient and musical means of aligning the individual elements of a mix for the best possible result. RSPhaseShifter is great for any situation where you need to control key, energy spectrum and harmonic content through phase shift keying. Post-production, mastering, external equipment compensation, film re-recording, live performance, sound amplification, as well as content creation for games and virtual reality – all this makes it possible to have

该插件提供了一种快速、方便和音乐化的方法来对齐混音的各个元素,以获得最佳效果。RSPhaseShifter适用于需要通过相移键控控制键控、能谱和谐波含量的任何情况。后期制作、母版制作、外部设备补偿、电影重新录制、现场表演、声音放大,以及游戏和虚拟现实的内容创作——所有这些都使

RSPhaseShifter at your fingertips.

在你的指尖移动移相器。

RSPhaseShifter was co-created with Roger Schult / German Audio Lab and is a painstaking 64-bit digital implementation of Schult’s robust Schult Phase Shifter W2324 analog hardware. When multiple sources complement each other, RSPhaseShifter should be your choice for a fast, intuitive, easy to use and effective tool.

RSPhaseShifter是与Roger Schult/德国音频实验室共同创建的,是Schult强大的Schult移相器W2324模拟硬件的64位数字实现。当多个源相互补充时,RSPhaseShifter应该是您快速、直观、易于使用和有效的工具的选择。



MAAT – SantaCruzEQ

玛特-桑塔克鲁泽克



Parametric Equalizer

参量均衡器

Equalizer is perhaps the oldest and most popular of all sound processing tools. From the earliest days, the main function has been to correct or enhance by increasing or decreasing certain frequencies.

均衡器可能是所有声音处理工具中最古老和最流行的。从早期开始,主要功能就是通过增加或减少某些频率来纠正或增强。

Over the course of a century, engineers have developed countless equalizers. Few have become legends, our thOQorange is one. The most popular version for recording and recording is the Parametric Equalizer, or PEQ, pioneered by Massenburg in 1972. It offers maximum flexibility with just three controls. Used correctly, PEQ is a powerful tool and every audio engineer’s best friend in their quest for the perfect sound. However, as Spidey (and Voltaire) always remind us, “With great power comes great responsibility.” Crafted by a goofy or limited-cost software engineer, it could be your greatest sonic enemy.

一个世纪以来,工程师们开发了无数的均衡器。很少有人会成为传奇,我们的索克山脉就是其中之一。最流行的录音和录音版本是参数均衡器,或PEQ,由马森堡在1972年首创。它提供了最大的灵活性,只有三个控制。正确使用,PEQ是一个强大的工具,也是每个音频工程师追求完美声音的最好朋友。然而,正如蜘蛛侠(和伏尔泰)经常提醒我们的那样,“强大的力量带来巨大的责任。”由一个愚蠢或成本有限的软件工程师制作,它可能是你最大的音速敌人。

Why develop yet another Parametric Equalizer (PEQ) when there are hundreds on the market? The answer is simple … Because there is room for improvement! It was the original LinearPhase PEQ Red and Orange customers who asked Algorithmix to develop a classic EQ for recording and mixing tasks with unmatched clarity and transparency. Over the years, our Doc Christophe has carefully analyzed many of the best and amassed a vast knowledge base of analog EQ best practices. Based on this, he implemented not one or two, but a whole collection of equalizers. Result? A quintessential analogue predecessor based on new ideas. We know you will find your favorite sound.

当市场上有数百个参数均衡器时,为什么还要开发另一个参数均衡器(PEQ)?答案很简单…因为还有改进的空间!最初的LinearPase PEQ Red and Orange客户要求Algorithmix开发一款经典的EQ,用于录制和混合任务,其清晰度和透明度无与伦比。多年来,我们的Christophe博士仔细分析了许多最佳实践,积累了大量模拟EQ最佳实践的知识基础。基于此,他实现的不是一两个均衡器,而是一整套均衡器。后果基于新思想的典型模拟前辈。我们知道你会找到你最喜欢的声音。

We wanted to take analog to another level, so we’ve developed many respected hardware EQs, creating idealized digital versions based on this inspiration. Unlike models or simulations that carry analog baggage, the SantaCruzEQ has no noise, distortion, or other secondary effects inherited from analog.

我们想把模拟技术提升到另一个水平,所以我们开发了许多备受尊敬的硬件EQ,基于这一灵感创造了理想化的数字版本。与携带模拟行李的模型或仿真不同,SantaCruzEQ没有噪声、失真或其他从模拟行李继承的次要影响。

SantaCruzEQ12 is the most complete collection of classic EQ architectures ever packaged in one package. You will get precise, idealized examples of the legendary analog EQ circuit, complemented by progressive new models. Whether vintage, modern, or experimental, SantaCruzEQ is an audio sandbox that every mixing and mastering engineer can tinker with.

SantaCruzEQ12是有史以来封装在一个包中的最完整的经典EQ架构集合。您将获得传奇式模拟均衡器电路的精确、理想化示例,并辅以先进的新型号。无论是复古的、现代的还是实验性的,SantaCruzEQ都是一个音频沙盒,每个混音和主控工程师都可以修补它。



MAAT – thEQblue

玛特-他们是蓝色的



ThEQblue builds on the revolutionary foundation of Algorithmix’s classic PEQ Blue, maintaining a benchmark for the 21st century. thEQblue is a set of twelve Minimum Phase EQ architectures, each using 80-bit internal floating point precision. We’ve designed many respected hardware EQs, creating idealized digital versions based on this inspiration. Instead of models or simulations that carry analog baggage, thEQblue has no noise, distortion, or other secondary effects inherited from analog.

TQBLue建立在算法基础上的经典PEQ蓝色的革命基础上,保持二十一世纪的基准。QBlue是一组12个最小相位均衡器架构,每个架构使用80位内部浮点精度。我们设计了许多受人尊敬的硬件EQ,基于这一灵感创造了理想化的数字版本。与携带模拟行李的模型或模拟不同,QBlue没有噪音、失真或其他从模拟行李继承的次要影响。



MAAT – thEQorange

玛特–提琴山脉



When cleanliness is

当清洁度降低时





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发表于 2022-5-20 05:21:34 | 显示全部楼层 来自 中国辽宁鞍山
音频循环带有渲染和循环填充控件MAAT–Digital Bundle 2021.12STANDALONE, VST, VS
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发表于 2022-3-1 15:51:44 | 显示全部楼层 来自 中国广东深圳
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