Acustica Audio – Maize 2023 REPACK VST, VST3, AAX x64插件形式的Authentic Markbass PP-10参数均衡器 它完全复制了Markbass备受推崇的PP10固态参数均衡器EQ的行为和声音

音频效果器

Authentic Markbass PP-10 parametric equalizer in the form of a plug-in. Maize is a plugin that exactly replicates the behavior and sound of Markbass’ highly regarded PP10 solid state parametric equalizer, inspired by the sounds of classic equalizers from the 1970s and 80s, and enhanced by Acustica with the addition of features that make it even more powerful and versatile. This project marks Acustica’s collaboration with Markbass, offering the pro-audio sector a product with extraordinary qualities rarely found in equalizers on the market today.

插件形式的Authentic Markbass PP-10参数均衡器。玉米是一个插件，它完全复制了Markbass备受推崇的PP10固态参数均衡器的行为和声音，其灵感来自20世纪70年代和80年代的经典均衡器的声音，并由Acustica增强，添加了使其更加强大和通用的功能。该项目标志着Acustica与Markbass的合作，为专业音频行业提供了一种在当今市场上均衡器中罕见的非凡品质的产品。


The perfect instrument for sculpting:

完美的雕刻工具：


Maize embodies the core features of the PP10, which is an extremely musical yet highly precise equalizer. It has 10 bands, each with 19 selectable frequencies, a gain control that adjusts cut and boost (-16 to +16 dB), and a rotary control that adjusts bell width (Q) from 0.3 to 6.0 . The last Q value is unusually high for an equalizer; The device was specifically designed to use very narrow bells, allowing subtle, surgical adjustments to be made to the frequency spectrum. Its sonic signature is very distinctive, and while it adapts extremely well to mastering, it’s at its best during the mixing stage when you’re adjusting or shaping the sounds of the instruments.

玉米体现了PP10的核心功能，这是一款极具音乐性但高度精确的均衡器。它有10个频段，每个频段有19个可选择的频率，一个调整截止和升压（-16到+16dB）的增益控制，以及一个将钟形宽度（Q）从0.3调整到6.0的旋转控制。最后一个Q值对于均衡器来说异常高；该设备专门设计为使用非常窄的钟形物，可以对频谱进行细微的外科调整。它的声音特征非常独特，虽然它非常适合掌握，但在混音阶段，当你调整或塑造乐器的声音时，它处于最佳状态。


All this and much more is reproduced by Maize.

所有这些以及更多都是由玉米复制的。

This plugin is an equalizer that audio experts would define as esoteric, as it is linear to the extremes of the range in terms of frequency response and phase. In the low range its linearity reaches almost DC! This is an equalizer with its own distinct sonic personality and enormous shaping potential. When using it, you will immediately notice how each intervention can be calibrated down to the decibel level, especially in the subtractive phase.

这个插件是一个均衡器，音频专家会将其定义为深奥的均衡器，因为它在频率响应和相位方面是线性的。在低范围内，其线性度几乎达到DC！这是一款均衡器，具有独特的声音个性和巨大的成型潜力。使用它时，你会立即注意到每次干预都是如何校准到分贝水平的，尤其是在减法阶段。


Acustica was so impressed with the outstanding qualities of the PP10 that it couldn’t resist the idea of ​​creating a digital version, as well as introducing some additional features that provide even greater versatility. These include control-link, MS, switchable preamps (solid-state and vacuum tube), I/O counters, band activation buttons, and oversampling options for the preamp section.

Acustica对PP10的卓越品质印象深刻，无法抗拒​​创建数字版本，以及引入一些提供更大通用性的附加功能。其中包括控制链路、MS、可切换前置放大器（固态和真空管）、I/O计数器、频带激活按钮以及前置放大器部分的过采样选项。


A little history:

一点历史：


The PP10 Stereo Equalizer was born as a prototype around 2006, thanks to Markbass’ desire to create a precision equalizer – hence the acronym PP, which stands for “Pure Precision”. To make sure they were creating something truly special, they enlisted the help of none other than Rodolfo “Foffo” Bianchi.

PP10立体声均衡器于2006年左右作为原型诞生，这要归功于Markbass对创建精确均衡器的渴望——因此缩写为PP，代表“纯精度”。为了确保他们创造出真正特别的东西，他们得到了鲁道夫·比安奇的帮助。

Bianchi is one of Italy’s greatest producers and sound engineers, who for decades helped write the most important pages of his country’s musical history. Foffo’s wealth of experience dates back to RCA’s golden years and helped Markbass create the world’s most advanced equalizer. This no-compromise hardware unit has been carefully designed, optimally engineered and assembled from the best components available.

比安奇是意大利最伟大的制作人和声音工程师之一，几十年来，他帮助撰写了意大利音乐史上最重要的一页。Foffo丰富的经验可以追溯到RCA的黄金岁月，并帮助Markbass创造了世界上最先进的均衡器。这个不折不扣的硬件单元经过精心设计、优化设计，并由可用的最佳组件组装而成。


However, the uncompromising pursuit of absolute quality led to unforeseen consequences in the development of this ambitious project. The almost prohibitive cost of production made the device difficult to obtain on the market, and Markbass had to decide whether to enter a new field – pro-audio. After weighing all their options, they decided to postpone the project to assess the potential risk on both an entrepreneurial and commercial level.

然而，对绝对质量的毫不妥协的追求导致了这一雄心勃勃的项目发展过程中无法预见的后果。几乎令人望而却步的生产成本使该设备很难在市场上获得，Markbass不得不决定是否进入一个新的领域——专业音频。在权衡了所有选择后，他们决定推迟该项目，以评估创业和商业层面的潜在风险。

As a result, only two devices were created. One of them is still owned by the Bianchi family, and the other by the famous sound engineer Sabino Cannone. With Acustica’s development of the Maize plugin, audio engineers can finally take advantage of this superior product that is both unique and virtually unheard of in the non-digital realm.

结果，只创建了两个设备。其中一个仍为比安奇家族所有，另一个为著名音响工程师萨比诺·坎农所有。随着Acustica对玉米插件的开发，音频工程师终于可以利用这种在非数字领域独特且几乎闻所未闻的卓越产品。


All files were taken from the Acustica Audio release from R2R and repackaged as an installer to facilitate installation/removal and save hard drive space.

所有文件都取自R2R的Acustica Audio版本，并重新打包为安装程序，以便于安装/删除并节省硬盘空间。

请先安装框架程序-》》

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