Cupwise FX Raybon & Norland-B Spring Reverbs Nebula这套包括两种截然不同的春季混响

音频效果器

这套包括两种截然不同的春季混响。“Raybon”硬件实际上有两组独立的弹簧，产生立体声混响（并以此为样本）。这个库的“Nolard”部分是用我之前的Nolard Spring套件中使用的相同模型制作的，但使用了不同的实际单位。这两个混响都有EQ控件，这些控件是在这里采样使用的，我不知道还有谁在星云混响中这样做。

This set includes two very different sounding spring reverbs. The ‘Raybon’ hardware actually has two separate sets of springs in it, producing a stereo reverb (and was sampled as such). The 'Nolard' part of this library was made from the same model I used for my previous Nolard Spring set, but a different actual unit was used. Both reverbs have EQ controls which were sampled for use here, and I don’t know of anyone else doing this in Nebula reverbs.

The Raybon EQ control acts as a tilt EQ, going from bassy to trebly. The Nolard EQ control in my previous Nolard set was a tilt style, but here I sampled it differently. The control in this one goes from both full treble and bass boosts on one side, to full treble/bass cut on the other (emphasizing the mids, and giving a very unique, distant soundin reverb).
Raybon EQ控件充当倾斜EQ，从低音到高音。在我之前的Nolard设置中，Nolard EQ控件是倾斜样式，但这里我的采样方式不同。这张专辑的控制从一侧的高音和低音全增强，到另一侧的高音/低音全削减（强调中音，并提供非常独特的、听起来很遥远的混响）。

Again I’ve included the ‘fade’ control that allows you to dial in something like a dampening effect, and also the feedback control. These controls all allow you to shape the reverb quite a bit, unlike most reverb programs where you are stuck with one sound. There are also 2 mono variations of the ‘Raybon’ reverb. One uses only the left channel, the other was made by mixing the separate left/right channel reverbs together, which gives a slightly denser sound. There are also ‘lite’ versions which you can use to more quickly find the settings you want while listening to your mix, before finally switching to the higher quality program for rendering.

我再次加入了“淡出”控件，它允许您拨入类似阻尼效果的内容，以及反馈控件。这些控件都允许您对混响进行相当大的塑造，不像大多数混响程序中只使用一种声音。还有两种“Raybon”混响的单声道变体。其中一个只使用左声道，另一个是通过将单独的左/右声道混响混合在一起制作的，这会产生稍微密集的声音。还有一些“精简”版本，在最终切换到更高质量的渲染程序之前，您可以使用它在收听混音时更快地找到所需的设置。

I’ve refined some of my methods even further here than before, and I wouldn’t hesitate to say that especially the Raybon reverb in this set is probably the most complexly designed Nebula reverb there is. A lot is crammed into these effects, and you get a lot with this library (the 96khz set is just over 1gb)

我在这里比以前更加完善了我的一些方法，我毫不犹豫地说，尤其是这组Raybon混响可能是设计最复杂的星云混响。这些效果中填充了很多东西，你可以从这个库中获得很多东西（96khz的混响刚刚超过1gb）