关灯
     

[动态处理/压缩器/EQ] 高质量RMS压缩器 reason re synapse re-160.1.0 VST效果器音频处理后期制作插件

1
回复
740
查看
[复制链接]
-->
发表于 2021-10-19 00:00:00 | 显示全部楼层 |阅读模式
插件格式:VST VST3 AAX 
公众号
LMZ253344
支持系统:WIN(32位) WIN(64位) 
容量:12M
微信公众号输入命令: 请在微信公众号中输入前面红色字体命令获取提取码等内容
公众号回复内容:隐藏内容   查看操作方法
 
SoundSpot-FAT2-OSX.jpg


The Synapse RE-160 is a high-quality RMS compressor, modeled after a famous studio classic. Its distinct compression characteristics make the RE-160 an indispensable tool in any studio setup.

Synapse RE-160是一款高质量RMS压缩器,仿照著名的工作室经典设计。其独特的压缩特性使RE-160成为任何工作室设置中不可或缺的工具。

rms tracking

rms跟踪

The RE-160 is a RMS (= Root Mean Square) compressor, which means that it tracks the average signal energy. Compared to the usual peak compression, this form of compresson is a more relaxed compression that also more closely relates to the perception of loudness. As the tracking signal determines the compressor action, it is most important to shape the sound of a compressor. The RE-160 uses a virtual-analog circuit to calculate the instantaneous RMS signal with zero latency.

RE-160是RMS(=均方根)压缩器,这意味着它跟踪平均信号能量。与通常的峰值压缩相比,这种形式的压缩是一种更放松的压缩,也与响度感知更密切相关。由于跟踪信号决定压缩机的动作,因此最重要的是塑造压缩机的声音。RE-160使用虚拟模拟电路计算零延迟的瞬时RMS信号。

beyond infinity compression

超越无限压缩

A rather unique feature of the RE-160 is the ability to use negative compression ratios. Typical ratios range from 1:1 (no compression) to oo:1 (limiter). The RE-160 allows you to go beyond that by setting a negative compression ratio, which means that signals above the threshold not only get limited to 0 dB, but further attenuated.

RE-160的一个相当独特的特点是能够使用负压缩比。典型的比率范围从1:1(无压缩)到oo:1(限制器)。RE-160允许您通过设置负压缩比来超越这一限制,这意味着高于阈值的信号不仅会被限制为0 dB,还会进一步衰减。

parallel compression

并行压缩

The RE-160 features parallel compression via a Mix knob on the left side of the rack extension. This control allows to mix the dry and compressed signal for additional flexibility.

RE-160通过机架延长件左侧的混合旋钮实现平行压缩。此控制允许混合干燥和压缩信号,以增加灵活性。

sound parameters

声音参数

Input Level

输入电平

The Input Level knob controls the signal level that is going into the rack extension, with an available range of ±20 dB. Usually the input level should be adjusted such that the signal peaks around 0 dB.

输入电平旋钮控制进入机架扩展的信号电平,可用范围为±20 dB。通常,应调整输入电平,使信号峰值在0 dB左右。

Threshold

门槛

The Threshold knob sets the level at which a passage is considered “loud” – that is the point at which the compressor will start working. For example, if you set the threshold to -10 dB, then everything below that level will pass straight through – anything above -10 dB will cause the compressor to start working. As the Threshold parameter is decreased and more compression occurs, the output level is reduced. You may use the Output Level control to raise the level back up to match the input level. Note that the red gain reduction meter on the right always shows you the compressor action- if the LEDs are off then there is no compression going on.

阈值旋钮设置通道被视为“响亮”的水平,即压缩机开始工作的点。例如,如果将阈值设置为-10 dB,则低于该级别的所有内容都将直接通过–任何高于-10 dB的内容都将导致压缩机开始工作。随着阈值参数的减小和更多压缩的发生,输出电平降低。您可以使用输出电平控制将电平提升回与输入电平匹配的水平。请注意,右侧的红色增益降低计始终显示压缩机的动作-如果LED熄灭,则没有压缩。

Ratio

比率

Ratio tells the compressor how much to compress those passages that are louder than the threshold. A ratio of 1:1, for example, means that the sound comes out 1 to 1 – as it is – the compressor does not do anything at all. A ratio of 2:1 means that loud passages will be lowered by a factor of 2, that is they will come out only half as loud. A ratio of 4:1, and loud passages will come out 4 times softer, and so on. So the Ratio setting effectively decides how much the passages above the threshold will be compressed.

比率告诉压缩器要压缩比阈值大的通道多少。例如,1:1的比例意味着声音以1:1的比例输出——事实上——压缩机什么也不做。2:1的比率意味着声音大的通道将被降低2倍,也就是说,它们的声音只有原来的一半。比例为4:1,声音大的声音会柔和4倍,以此类推。因此,比率设置有效地决定了超过阈值的通道将被压缩多少。

Output Level

产出水平

The Output Level knob controls the signal level after compression, with a range of ±20 dB. Usually output gain is adjusted such that the loss of level due to compression is compensated for. For example, if the red gain reduction meter shows a level of 6 dB, then the output gain may be set to +6 dB.

输出电平旋钮控制压缩后的信号电平,范围为±20 dB。通常对输出增益进行调整,以补偿压缩造成的电平损失。例如,如果红色增益降低计显示6 dB的电平,则输出增益可设置为+6 dB。

sidechain inputs

侧链输入

Using the RE-160s sidechains on the back panel, it is possible to e.g. lower the level of the bass whenever the kick drum comes in. A standard practice in many of today’s music genres like EDM etc. The RE-160 features both mono and stereo sidechains.

使用后面板上的RE-160s侧链,可以降低低音水平,例如,每当踢脚鼓进入时。这是当今许多音乐类型(如EDM等)的标准做法。RE-160具有单声道和立体声侧链。

back panel cvs

后面板CV

Like all our rack extensions, the back panel offers CV inputs to modulate the most important sound parameters. A useful extra is the ability to send the current Gain Reduction via CV output. This allows to take advantage of the RE-160s unique RMS tracking and use the gain redu







游客,如果您要查看本帖隐藏内容请回复


觉得好的话,请大家点击打赏!
 
发表于 2014-1-29 12:10:44 | 显示全部楼层
 
晕啊怎么回事
觉得好的话,请大家点击打赏!
 
您需要登录后才可以回帖 登录 | 立即注册 新浪微博登陆 手机动态码快速登录

本版积分规则

关注我们:微信订阅号

官方微信

APP下载

全国服务热线:

15362882055

www.253344.net

联系QQ/微信:1093971

如果有问题,可联系我

Copyright   ©2021  我的龙门阵Powered by©253344.net  
 备案图标.png

粤公网安备 44190002000508号

  ( 粤ICP备13087534号-1 )|网站地图|网站地图